The fame of the “Lamento d'Arianna” from Claudio Monteverdi’s opera “Arianna” of 1608 spread quickly among music lovers. This led the composer, as early as 1614, to publish a five-part madrigal version in his 6th book of madrigals for domestic ...

Since the 1970s, Karg-Elert’s organ, harmonium and piano music has been systematically rediscovered, but his song compositions have not yet received the same attention. Wrongly so, for his approx. 200 solo songs are first-rate compositions, ...

Wie lernte Bach komponieren und improvisieren, und wie gab er sein Wissen und Können unterrichtend weiter? Ingo Bredenbach analysiert ausführlich Werke von Buxtehude, Reincken und italienischen Komponisten, die Bach nachweislich studierte. ...

Wie lernte Bach komponieren und improvisieren, und wie gab er sein Wissen und Können unterrichtend weiter? Ingo Bredenbach analysiert ausführlich Werke von Buxtehude, Reincken und italienischen Komponisten, die Bach nachweislich studierte. ...

Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Prague under Karel Kovarovic. ...

For the first time, examples of church music from Telemann's late creative period, which arguably is marked above all by the great concert oratorios, have been edited and are presented in the “Telemann Complete Works”, volume 61. Included are ...

Sicherlich gehört „Why should I cry for you“ nicht zu den bekanntesten Stücken des britischen Musikers Sting. Trotzdem – oder eben gerade deshalb – hat der Arrangeur mit diesem Song eine Wahl getroffen, die jedes Konzert bereichern ...

With the publication of this choral score the performance material for Johann Sebastian Bach’s St. Matthew Passion is now complete.