A festive piece for church and concert hall

Composed around 1760, “Die Auferstehung und Himmelfahrt Jesu” is one of Telemann’s last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the ...

A festive piece for church and concert hall

Composed around 1760, “Die Auferstehung und Himmelfahrt Jesu” is one of Telemann’s last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the ...

Chorale settings form a central part of Telemann’s œuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius’ melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting ...

Chorale settings form a central part of Telemann’s œuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius’ melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting ...

In 1717 Telemann composed his cantata “Gott der Hoffnung erfülle euch” for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the “Concerten-Jahrgang”, also known as “Das Harmonische Zion” or “Italienischer Jahrgang” ...

In 1717 Telemann composed his cantata “Gott der Hoffnung erfülle euch” for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the “Concerten-Jahrgang”, also known as “Das Harmonische Zion” or “Italienischer Jahrgang” ...