Schubert was visibly adventurous in his early piano sonatas, as is apparent in their wide-ranging key schemes, diverging versions of many movements or entire sonatas, and numerous works left incomplete. This revised Urtext edition contains ...

In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the ...

Volume III of Schubert’s Piano Sonatas includes the tuneful, dance-like Sonata in G major D 894 (1827), sometimes called the “Fantasie” sonata, as well as the three great sonatas in C minor, A major and B-flat major (D 958, 959 and 960), which ...

Beethoven’s “Diabelli Variations”, written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach’s “Goldberg Variations” form one of the most important contributions to this genre. In addition to Beethoven, ...

Franz Schubert’s Partsongs for Voices of the Same Register with piano or guitar accompaniment were very popular among his contemporaries, much like his famous Lieder. Schubert learned singing in multiple parts both at home and at school; small ...

Franz Schubert's “Stabat Mater” D 175 is one of a number of church works that he wrote for his local congregation in Lichtental.

This edition is based on the sole surviving source, the composer’s autograph full score. Unlike its ...

Franz Schubert's “Stabat Mater” D 175 is one of a number of church works that he wrote for his local congregation in Lichtental.

This edition is based on the sole surviving source, the composer’s autograph full score. Unlike its ...