Schumann, Robert
Scenes from Childhood op. 15
Edition no.
BA 9639
ISMN
9790006539628
Volume / Series
BÄRENREITER URTEXT
Editor
Stüwe, Holger M.
Language(s) of text
German, English
Product format
Performance score(s), Urtext edition
Instrumentation
Piano
Binding
Stapled
Pages / Format
XVI, 20 S. - 31,0 x 24,3 cm
Schumann’s "Forest Scenes" op. 82 date from the years 1848/49. This was the composer’s most creative period but one which was marked by revolutionary unrest and political uncertainty. As well as choral compositions and major dramatic works including the opera "Genoveva" and "Manfred" Schumann created the intimate piano cycle Forest Scenes, inspired by illustrations of the same theme. The last to be written was the wistful-filigree "Vogel als Prophet" (no. 7), probably the best-known piece in the cycle. The pieces of moderate technical difficulty are enchanting in their song-like poetry, and are a jewel of domestic music-making from the Romantic period.

In spring 1838 Schumann composed "30 short, sweet things", as he called them in a letter to his fiancée Clara Wieck. He originally composed these under the title "Kindergeschichten" and intended them as a supplement to the "Noveletten" op. 21, also composed in 1838. From these piano miniatures he chose twelve pieces. At the beginning of the following year, now expanded with a thirteenth piece, they were published as "Scenes from Childhood" by Breitkopf & Härtel in Leipzig. The collection centred on Träumerei which is the seventh and the most famous piece in the collection.
The significance of the cycle was completely misjudged by the critic Ludwig Rellstab but it was enthusiastically received by Liszt. He wrote to Schumann in June 1839 that he was frequently playing "Scenes from Childhood" to his then three-and-a-half year old daughter Blandine with enthusiasm, but particularly to himself.

"Scenes from Childhood" op. 15 (BA 9639) and "Forest Scenes" op. 82 (BA 9640) are being published in scholarly-critical Urtext editions, reflecting the latest state of research. These are two of Schumann’s most popular piano cycles which are highly ranked in Romantic piano literature. The fingering takes contemporary performing practise as well as playing on the modern concert grand piano into consideration.

- Urtext editions based on all available sources and reflecting the latest research findings
- With fingering and suggestions for performance by Ragna Schirmer
- With detailed foreword (Ger/Eng) and critical commentary (Eng)

The leading German pianist Ragna Schirmer
has earned an outstanding reputation, not only by winning the Leipzig Bach Competition twice but also for receiving numerous awards including two ECHO-Klassik prizes. She has long had a special interest in historical performance practice on modern instruments, reflected most recently in her highly-praised complete recording of the keyboard suites by George Frideric Handel. As well as an international performing career, Ragna Schirmer is currently a professor at the Mannheim University of Music and the specialist school Latina August Hermann Francke in Halle.
Robert and Clara Schumann’s compositions feature at the centre of Ragna Schirmer’s work and she has recorded Robert Schumann’s "Variations on a theme by Beethoven" and "Symphonic Studies" on CD. Her concerts which she plays on Clara Schumann’s original Grotrian grand piano of 1879 have given her important insights into practical performing issues. She has now incorporated these into her studies of Clara’s fingering of Schumann’s "Scenes from Childhood" op. 15 and "Forest Scenes" op. 82.

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