Beethoven, Ludwig van
Sonatas for Pianoforte and Violin
Volume I
- The first edition to include a list of sources and a Critical Report (Eng)
- Numerous corrections not found in previous editions
- A definitive Commentary on Performance Practice (Ger/Eng)
Edition no.
BA 9014
ISMN
9790006532964
Volume / Series
BÄRENREITER URTEXT
Editor
Brown, Clive
Instrumentation of the work
Piano, Violin
Language(s) of text
English, German
Product format
Performance score, Part, Urtext edition, Anthology
Instrumentation
Piano, Violin
Binding
Paperback
Pages / Format
LXXV, 151 / 49, 49 S. - 31,0 x 24,3 cm
Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part.

Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified.

One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.


In preparation:
Performing Practice Commentary (Eng)
By Clive Brown and Neal Peres Da Costa
Content will be available in the middle of September

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