Rameau, Jean-Philippe
Les Paladins RCT 51
Comédie-ballet in three Acts
- First edition of a dramatic highlight for the stage
- Edited in accordance with the high editorial standards of the “Opera Omnia Rameau” (OOR)
Edition no.
BA08870-90
ISMN
9790006567553
Editor
Soury, Thomas
Arranger
Saint-Yves, François
Orchestral scoring
2S-solo,3T-solo,2Bar-solo / GemCh-SATB / 2(auch pte fl),2,2Musettes,0,2 – 2,0,0,0 – Cordes, B. c. – Ballett
Language(s) of work
French
Language(s) of text
French
Product format
Vocal Score, Urtext edition
Binding
Paperback
Pages / Format
XIII, 316 S. - 27,0 x 19,0 cm
This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental parts for performance as a suite in the concert hall.

In view of the wealth of the work’s musical treasures and the stylistic innovations – similar to the “Boréades” – the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this Comédie ballet not being performed until well into the 20th century. The story that the ballet tells is based on a fable by La Fontaine, “Le Petit chien qui secoue de l’argent et des pierreries” (i.e. “The little dog who shakes silver and stones”). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opéra.

The critical new edition published as part of the “Opera omnia Rameau” series offers the final version, supplemented in the appendix by the variants of the original version. Since “Les Paladins” remained unpublished during Rameau’s lifetime and was also not included in the “Œuvres complètes”, this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians.
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