Telemann, Georg Philipp
Twelve Fantasias for Viola da Gamba without Bass TWV 40:26–37
arranged for Flute solo
Edition no.
BA08739
ISMN
9790006575756
Arranger
Rötzsch, Leona
Instrumentation of the work
Flute
Product format
Performance score
Instrumentation
Flute
Binding
Paperback
Pages / Format
III, 25 S. - 30,0 x 23,0 cm
Manufacturer Identification (GPSR)
Bärenreiter-Verlag, Karl Vötterle GmbH & Co. KG
Heinrich-Schütz-Allee 35-37, 34131 Kassel, DE
info@baerenreiter.com
Heinrich-Schütz-Allee 35-37, 34131 Kassel, DE
info@baerenreiter.com
Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to Telemann’s most popular works today, the fantasias for viola da gamba were unknown throughout much of recent history until a copy of these fantasias was rediscovered in 2015.
For this edition, flautist Leona Rötzsch arranged the viola da gamba fantasias for solo flute, thereby complementing Telemann’s flute fantasias with another set of twelve. Carefully retaining Telemann’s tonal language, these viol works were made accessible for the flute by use of transpositions, diminutions, and broken chords.
For this edition, flautist Leona Rötzsch arranged the viola da gamba fantasias for solo flute, thereby complementing Telemann’s flute fantasias with another set of twelve. Carefully retaining Telemann’s tonal language, these viol works were made accessible for the flute by use of transpositions, diminutions, and broken chords.
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Press reviews
“This version has been sensitively created and adapted well for the flute while maintaining as much faithfulness to the original as possible … Leona Rötzsch encourages players to explore the original scores themselves to find their own approaches for octave trans-positions and polyphonic writing. The solutions presented in the score, however, are largely convincing and provide a musical logic, with harmonic progressions clearly maintained. Any edito-rial suggestions for articulation are clearly presented as such. This is a well-presented edition, and I very much enjoyed exploring some ‘new’ Telemann. Recommended.“
(Carla Rees, Pan November 2023)
(Carla Rees, Pan November 2023)