Schlee, Thomas Daniel
Suite für Violine und Klavier op. 82
-Virtuosic concert work
-Demanding violin and piano parts
-Worthwhile addition to the chamber music repertoire
Edition no.
BA 11086
ISMN
9790006564446
Instrumentation of the work
Violin, Piano
Product format
Performance score, Part (1)
Instrumentation
Violin, Piano
Comments
Uraufführung 24.10.2017, Wien
Binding
Stapled
Pages / Format
20/9 S. - 32,5 x 25,5 cm
A suite whose movements always deliver something other than what they seem to promise. But throughout, the two instruments and respectively their players act like two people in very specific situations:

I.: The opening movement is reserved for the piano; the initially earnest, solitary cantilena intensifies creating expectation. Suddenly
II.: the violin sounds. Its moving figures replace the now silent piano, also soloistically.
III. „Passacaglia“: The title is taken literally – the two instruments/persons encounter each other in the street. Two musical characters who meet at a specific point, recognize each other, but move on again, each one by itself.
IV. „Rondo“: The two of them dance together. Before me, I saw people dancing the Sardana – a round dance – in front of the cathedral of Barcelona. Four themes in different time signatures circle ceaselessly between the two instruments.
V. „Fuga“: At last, regardless, panic flight – again the title is taken literally ... Human, only too human …
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