Beethoven, Ludwig van
Sonata for Pianoforte and Violin op. 47 "Kreutzer Sonata"
- The first edition to include a list of sources and a Critical Report (Eng)
- Numerous corrections not found in previous editions
- A definitive Commentary on Performance Practice (Ger/Eng)
Date of publication
11/2019
Edition no.
BA 10938
ISMN
9790006568512
Volume / Series
BÄRENREITER URTEXT
Editor
Brown, Clive
Instrumentation of the work
Violin, Piano
Language(s) of text
English, German
Product format
Performance score, Part, Urtext edition
Instrumentation
Violin, Piano
Binding
Stapled
An autograph fragment of the Violin Sonata op. 47 is titled, in Beethoven’s hand, “Sonata mulattica composta per il mulatto Brischdauer, gran pazzo e compositore mulattico” – meaning “Mulatto Sonata composed for the mulatto Brischdauer, great madman and mulatto composer”. The genesis of the sonata, which was to become famous under the name “Kreutzer Sonata”, is closely connected to a visit to Vienna by George Augustus Polgreen Bridgetower (1778–1860), a violinist with an Afro-Caribbean father and a European mother. In the language of that time, his descent made him a mulatto.

Beethoven was apparently deeply impressed by Bridgetower's musicality and virtuosic abilities. However, when the sonata was published in 1805, he dedicated it to Rodolphe Kreutzer under the title “Sonata per il Pianoforte ed uno violino obligato in uno stile molto concertante come d’un concerto”. The work “in the style of a concerto” is probably Beethoven’s most demanding violin sonata and since the 19th century has formed part of the core repertoire of the great violin virtuosos.
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