Couperin, François
Pièces de clavecin. Second livre (1717) for Harpsichord
with 8 Préludes and 1 Allemande from "L'Art de toucher le clavecin" (1716–1717)
Edition no.
BA 10845
ISMN
9790006505623
Volume / Series
BÄRENREITER URTEXT
Editor
Herlin, Denis
Language(s) of text
French, English
Product format
Performance score(s), Anthology, Urtext edition
Instrumentation
Harpsichord
Binding
Paperback
Pages / Format
XXXVIII, 137 S. - 31,0 x 24,3 cm
‘Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.’ (Jury of the German Music Edition Prize on BA 10844)

Bärenreiter presents Book II of Couperin’s “Pièces de clavecin”, first published in 1717, In addition the eight preludes and one allemande from his treatise “L’Art de toucher le clavecin” are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary.

- Pioneering edition with the first-time evaluation of an extensive body of sources
- Includes Couperin’s original expression marks
- Contains nine original compositions from “L’Art de toucher le clavecin”(1716–17)
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Press reviews
“Excellent … The preface is particularly notable, and is so comprehensive that it could stand alone as a scholarly article on the subject … The layout of the music is equally praiseworthy … This absence of page turns is a particularly useful feature of these volumes, and is something that no other modern edition has been able to achieve.”
(Mark Kroll, Early Music America, 22.10.2018)
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