The Techniques of ...

"The Techniques of..." offers performers a comprehensive overview of the wide range of techniques for their instrument or voice. The volumes, with text in both English and German, focus on advanced contemporary instrumental or vocal techniques. Featured in the manuals are practice tips, fingering charts and musical examples from standard repertoire pieces. The volumes will also be of value to teachers. Composers are presented with detailed information on important factors to take into consideration when using special instrumental techniques. Indispensible to composers are the musical examples, which demonstrate the various notation possibilities. CDs, internet-chapters accompanied by musical excerpts, CD-ROMs and foldout tables in the original size of the instrument complete this internationally successful series. The series will be continued.

Arditti, Irvine / Platz, Robert HP[BVK 2267]
The Techniques of Violin Playing
NOT FOUND 154
49,95 €
Buchmann, Bettina[BVK 1930]
The Techniques of Accordion Playing / Die Spieltechnik des Akkordeons
NOT FOUND 154
59,00 €
Gallois, Pascal[BVK 1860]
The Techniques of Bassoon Playing / Die Spieltechnik des Fagotts / La technique du basson
NOT FOUND 154
52,00 €
Isherwood, Nicholas[BVK 1861]
The Techniques of Singing
NOT FOUND 154
54,00 €
Levine, Carin / Mitropoulos-Bott, Christina[BVK 1595]
The Techniques of Flute Playing I
NOT FOUND 154
44,95 €
Levine, Carin / Mitropoulos-Bott, Christina[BVK 1788]
The Techniques of Flute Playing II / Die Spieltechnik der Flöte II
Piccolo, Alto and Bass Flute / Piccolo, Alt- und Bassflöte
44,95 €
Veale, Peter / Mahnkopf, Claus-Steffen / Motz, Wolfgang / Hummel, Thomas[BVK 1210]
Die Spieltechnik der Oboe / The Techniques of Oboe Playing / La technique du hautbois
Ein Kompendium mit Anmerkungen zur gesamten Oboenfamilie
54,00 €
Weiss, Marcus / Netti, Giorgio[BVK 2114]
The Techniques of Saxophone Playing
NOT FOUND 154
48,95 €

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Comments

Pierre Boulez: This new approach will allow the composer to “express himself in a richer and more contrasted manner”. 

Aurèle Nicolet: “I warmly recommend it.”

Brian Ferneyhough: “an essential tool in the hands of teachers and performers alike.”