Ravel worked on his Sonata for Violin and Piano for four years (1923–1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the “fundamental incompatibility” of these two ...

Dvorák composed the cycle “Moravian Duets” for two female voices with piano accompaniment at the request of the Prague wholesale merchant Jan Neff in 1876. This was a turning point in the career of the then still unknown composer: it ...

This edition contains Couperin’s four “Concerts royaux”, which were published in 1722 as part of Book III of his “Pièces de clavecin”. For the first time it makes these pieces, scored for chamber ensemble, separately available in an ...

Beethoven composed the ballet music “Die Geschöpfe des Prometheus” during 1800–01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet was initially quite successful, ...

Nicht ganz a cappella erlebt die groovige Pop-Nummer der US-amerikanischen Sängerin und Songwriterin Anastacia hier ein Revival. Der Song aus den frühen 2000ern erhält durch das Arrangement von Jan-Hendrik Herrmann Einzug in ...

This edition unites all the purely instrumental and dance numbers from one of Rameau’s most popular operas, along with those from his last one-act opéra-ballet “Io”, which was left unfinished at the time of his death.

“Platée” ...

Beethoven’s incidental music op. 84 was written in 1809 for a performance of Goethe’s drama “Egmont” at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe’s tragedy, ...

Beethoven’s “Coriolan” overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed at the Palais Lobkowitz and it was the Lobkowitz ...

Since 2019 the “New World” Symphony, a jewel of the symphonic repertoire, has been available from Bärenreiter in a reliable scholarly edition in which the editor, Jonathan Del Mar, clarified the complexities of the work’s source transmission. ...

This choral score BA 5037-91 completes the already available performance material for Johann Sebastian Bach’s St. John Passion.

César Franck’s Sonata for Piano and Violin is one of the most highly esteemed works in the violin literature, a masterpiece of cyclical form – with its grace and expressiveness it is virtually paradigmatic for the epoch of musical romanticism. ...

No genre reflects Skrjabin’s artistic evolution more vividly than his piano sonatas. Sonatas Nos. 6, 7 and 8 which are presented in this edition were written between 1911 and 1913, at times contemporaneously with the late Sonatas Nos. 9 and ...

Bohuslav Martinu’s “Field Mass” is one of his most significant vocal-instrumental works. It originated in 1939 in Paris in response to the outbreak of World War II and was intended for outdoor performance. The libretto, by Jirí Mucha, ...

The significance of Liszt’s late piano pieces has been the subject of much debate. On the one hand they are considered heralds of the elderly Liszt’s waning inspiration; on the other hand, they are praised as being visionary pieces on the basis ...

In the 19th century, many organ compositions were written as accompaniments to church services. They were intended for beginners and experienced organists alike. Michael Gotthard Fischer (1773–1829), Adolph Hesse (1809–1863) and Gustav Adolf ...

This fantasia for organ was composed in 2019. The composition is based on a melody attributed to the French composer Louis Bourgeois (approx. 1510–1560) which is one of the most well-known melodies in the Christian musical tradition. It has ...

Bohuslav Martinu’s “Field Mass” is one of his most significant vocal-instrumental works. It originated in 1939 in Paris in response to the outbreak of World War II and was intended for outdoor performance. The libretto, by Jirí Mucha, ...

Handel composed his first Italian oratorio “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili who also commissioned this work.

Disinganno ...

Three years after the publication of the first volume, the second volume of Debussy’s Préludes was published in 1913. Here the music reflects the impressions of Stravinsky’s music on the composer. In his new Urtext edition, the musicologist ...

Following the first two volumes of the pioneering new edition, Bärenreiter now presents Couperin’s “Troisième livre” of the “Pièces de clavecin” (1722) edited by Denis Herlin. In addition to the six “Ordres”, the edition ...

Associating the term “Sturm und Drang” with Haydn’s creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his symphonies: works characterised by an impetuous, ...

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled “Der für die Sünde der Welt gemarterte und sterbende Jesus” (“The Story of Jesus, Suffering ...

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled “Der für die Sünde der Welt gemarterte und sterbende Jesus” (“The Story of Jesus, Suffering ...

This edition unites all the purely instrumental parts of Rameau’s comédie-ballet “Les Paladins” for performance as a suite in the concert hall.

In view of the wealth of the work’s musical treasures and the stylistic innovations ...

Every year, many young children learn to play the violin with the “Early Start on the Violin” method by Egon and Kurt Sassmannshaus. However even the youngest players enjoy trying their hand at playing together with others. In order to allow ...

The Czech violinist and eminent violin teacher Otakar Ševcík (1852–1934) is the author of a world-renowned violin school, and our publishing house offers a wide range of his educational works in new editions.

Ševcík’s ...

The ten “Biblical Songs” op. 99 are the culmination of Antonín Dvorák’s song output. This unique cycle, based on Czech Psalm texts from the Kralice Bible, was composed in the United States in 1894. Although Dvorák had already ...

The ten “Biblical Songs” op. 99 are the culmination of Antonín Dvorák’s song output. This unique cycle, based on Czech Psalm texts from the Kralice Bible, was composed in the United States in 1894. Although Dvorák had already ...

The series “organ plus one” is particularly appealing for non-professional church musicians and instrumentalists. The pieces can be easily tackled and are ideal for use in church services, musical evenings and small concerts. This edition follows ...

After years of several personal and creative crises, the last two years of Beethoven’s life were marked by an irrepressible creative urge that was directed almost exclusively towards the string quartet genre.

Of all these late ...

After years of several personal and creative crises, the last two years of Beethoven’s life were marked by an irrepressible creative urge that was directed almost exclusively towards the string quartet genre.

Of all these late ...

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

The leading Czech pianist Ivo Kahánek has long devoted himself to training young musicians. With this album of recital pieces he offers young pianists quite easy pieces by well-known Czech composers.

The collection provides ...

This volume contains works inspired by the Jewish musical tradition, arranged for viola (or alternatively for violoncello) and organ. The music takes its bearings on the inimitable and highly emotional melodies of synagogue chant and Jewish ...

A descriptive information about this volume will be available soon.

Oliver Gies hat deutschsprachigen Chören viel Freude bereitet und ihnen einen Herzenswunsch erfüllt, indem er mit seinen beiden Sammlungen „Wunschzettel“ und „Wunschzettel 2.0“ das Repertoire mit einer Reihe von neuen Arrangements ...

This little notebook is handsome as well as practical. The cover is in Bärenreiter‘s attractive Saint-Saëns -purple and has the same layout as our Urtext editions.
The pages alternate with musical staves on the left and writing ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very ...

Saint-Saëns was just 23 years old when he composed his “Oratorio de Noël” in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholarly-critical Urtext edition.
...

Saint-Saëns was just 23 years old when he composed his “Oratorio de Noël” in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholarly-critical Urtext edition.
...

The compositional legacy of Carl Stamitz (1745–1801) includes seven concertos for bassoon and orchestra. The Concerto in C major was last published by Breitkopf & Härtel between 1782 and 1784, after which it vanished into oblivion ...

The compositional legacy of Carl Stamitz (1745–1801) includes seven concertos for bassoon and orchestra. The Concerto in C major was last published by Breitkopf & Härtel between 1782 and 1784, after which it vanished into oblivion ...

Rameau’s “Hippolyte et Aricie” showcases great confusions amongst nymphs and gods. The opera represents a fascinating masterpiece of a Baroque “Tragédie en musique” by the French composer. This edition of the “Symphonies” includes all ...

Following the “Carnival of the Animals” and the “Moldau”, Jennifer Seubel has now set her sights on the “Nutcracker Suite” by Pyotr Ilyich Tchaikovsky, and has arranged it for two flutes. This wonderful suite brimming with popular and much-loved ...

Editor Paul Prévost has arranged the trio “Ah ! vous dirai-je, maman !” from Adolphe Adam’s comic opera “Le Toréador ou l’Accord parfait” (BA 8701-01) as a virtuoso aria for solo soprano, solo flute and orchestra. The musical ...