Piano duet / Two pianos

This anthology offers a chronological cross-section of easy to moderately difficult music for piano four-hands by famous composers from the early classic period to the present day. Just for fun, it is rounded off with a few easy arrangements ...

With a clever play on the words “Ancient Modes”, Graham Buckland presents eight character pieces for piano duet which effectively portray various mythical modes of transport and at the same time are based on church modes.

The transport ...

“From the Bohemian” Forest, a set of six character pieces for piano duet, was written at the turn of the year 1883-84 at the instigation of Dvorák’s publisher Fritz Simrock and appeared in print in the spring of 1884.
After the ...

It was the “Slavonic Dances for Piano Duet” op. 46 which brought Antonín Dvorák unexpected international fame. An unerring business instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech composer for some works ...

It was the “Slavonic Dances for Piano Duet” op. 46 which brought Antonín Dvorák unexpected international fame. An unerring business instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech composer for some works ...

Mozart’s works for piano duet are amongst the most important contributions to this repertoire. This scholarly-critical edition based on the “New Mozart Edition” makes these works available in a revised form and includes a new foreword.
The ...

For the first time, Mozart’s complete works for two pianos including fragmentary works are published together in one volume. As well as the famous Sonata in D major and the Fugue in C minor, the volume contains the fragmentary Larghetto and ...

In 1903, Satie composed his famous cycle for piano duet with the provocative and ambiguous title “3 Morceaux en forme de Poire”. (In French, “poire” means “pear” but also “dimwit”). It is a detached and ironic commentary on the constraints ...

This edition marks the beginning of Bärenreiter’s publication of Schubert’s complete works for piano duet in scholarly-critical Urtext editions. It includes Schubert’s late works, composed between 1826 and 1828 which are amongst the most ...

“Vltava” (The Moldau) is Smetana’s most famous and frequently performed tone poem. It was written between 20 November and 8 December 1874, but only in 1879-1880 with the completion of the entire cycle “Má vlast”, did the full score and ...